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・ The Last Summer of Reason
・ The Last Summer of the Rich
・ The Last Sunset
・ The Last Sunset (album)
・ The Last Sunset (film)
・ The Last Supper (1976 film)
・ The Last Supper (1994 film)
・ The Last Supper (1995 film)
・ The Last Supper (2003 film)
・ The Last Supper (2006 film)
・ The Last Supper (2012 film)
・ The Last Supper (Black Sabbath video)
・ The Last Supper (Crespi)
・ The Last Supper (D.S.G.B. album)
・ The Last Supper (disambiguation)
The Last Supper (Ghirlandaio)
・ The Last Supper (Grave Digger album)
・ The Last Supper (Jim Gaffigan album)
・ The Last Supper (Leonardo da Vinci)
・ The Last Supper (novel)
・ The Last Supper (opera)
・ The Last Sweet Days of Isaac
・ The Last Tango = Blues
・ The Last Target
・ The Last Tempest
・ The Last Templar
・ The Last Templar (miniseries)
・ The Last Temptation
・ The Last Temptation (Alice Cooper album)
・ The Last Temptation (Ja Rule album)


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The Last Supper (Ghirlandaio) : ウィキペディア英語版
The Last Supper (Ghirlandaio)

''The Last Supper'' (1480) is a fresco depicting the Last Supper of Jesus by the Italian Renaissance artist Domenico Ghirlandaio; it is located in the refectory of the Convent of the Ognissanti on Borgo Ognissanti #42 in central Florence, region of Tuscany, Italy. It is one of three Last Supper frescoes painted by Ghirlandaio in Florence, the others being for the Badia di Passignano (1476) and for the ''Cenacolo di San Marco'' (1486).
==History==
The layout of the scene resembles that seen in the Andrea del Castagno's ''Last Supper'' frescoed some 3 to 4 decades earlier for the refectory of Sant'Apollonia in Florence, wherein the apostles sit in a shallow U-shaped setting, with only the two flanking apostles sitting at a 90 degree angle with the others. John the Apostle at Christ's left has fallen to sleep. Judas sits apart on the near side of the table, as is common in early depictions of the Last Supper in Christian art. However, in this depiction, the upper register is not interior, but opens up into the tree-line orchard with birds. The halos of the apostles have narrowed into thin circles; and the apostles cast shadows. St Peter and another apostle appear to challenge Judas.
Ghirlandaio was well known when he received the commission for this fresco, and soon after its completion, he was called to Rome to help decorate the walls Sistine Chapel. It is likely that Leonardo da Vinci was familiar with this treatment of the subject, as well as that of Castagno, and painted his own Last Supper in a more dramatic form to contrast with the stillness of these works, so that more emotion would be displayed.〔''Leonardo da Vinci, the Last Supper: a cosmic drama and an act of redemption'' by Michael Ladwein 2006 page 27〕
During the restoration of this fresco later, a preliminary sketch of it was discovered on the left wall of the refectory in Cenacolo di Ognissanti.

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